1.
When did you start writing?
I
wrote my very first story when I was ten. It was eight pages long, which at the
time felt about the same size as Moby Dick.
It was a story about a girl who was hit by a drunk driver. Don't worry, she survived.
In my ten year old brain it was an intense tale of a young woman's painful
recover and the triumph of the human spirit. I presented it to my mother as my
first novel. She lovingly suggested I try lighter topics. After that I moved on
to shorter work and started writing very typical angst-y poetry in high school.
2. Are you a pantser or
a planner?
I'm definitely a pantser.
Sounds like fun, right? “Woo-hoo look
what popped into my head today - let's do that. Cool! Now, let's change it. Let's add a new
character! Oh I like him, he's funny. He stays. She goes. Woo-hoo!”
And guess what? It is fun. It's loads of fun. It's the
embodiment of creation itself. Until it's time to revise and the not fun part
starts bringing with it all the hair-pulling and teeth-gnashing. That's when I
put my head on the desk and weep. Why oh why didn't I write a plot summary? I'm
quite convinced I could save a solid year of revision if I would become a
planner instead. Alas, it has yet to happen.
3.
Can you give us an idea of your writing process?
I
drag myself out of bed at 5 am. Feed the cat. Make tea. And then climb into my
writing closet (it's literally a closet with a desk crammed into it)
and I write. I write poetry and stories too, so most mornings I let myself go
with whatever feels right. But when I was writing Lizzy it was pretty much all
Lizzy all the time. Same is true for my current work in progress. I don't write
in a very linear fashion when I first start out (which also adds to my plot
problems). In the beginning I write scenes - just moments - that I see so
clearly in my head. That's how I find my character's voices. I just sort of
play with them like little dolls. Then when I've got them down, I sew all the
scenes up, like popcorn on a thread into one long story. Then comes the
revision. When they say writing is work - revision is the part they are talking
about.
4. Which authors have influenced your work?
The
whole list would take up the rest of your blog considering nearly everyone I
read (and I read a lot) have somehow added something. But since I wrote a
children’s book - I'll stick with the children's authors that have affected me
the most:
CS
Lewis’ Narnia stories made me want to be a writer. “Wait a second,” says little
me, “he got to make up a whole world?? I want to do that.”
Katherine
Patterson’s Bridge to Terabithia taught me that a book can be scary and
sad and happy and beautiful all at once. And it taught me about the
vulnerability of true bravery.
And
finally Madeline L’Engle. I read my
copy of A Wrinkle in Time over and over again till the cover and the
title page disintegrated into dust. For me, it was all about Meg. I loved Meg's
awkwardness and her fear. I loved her doubt. She felt scared and small the way
I often felt scared and small. She was my first and favorite anti-hero – at
least until I moved on to Hamlet.
5. Tell us about your debut!
Love
to! Meet
Lizzy Speare……a normal twelve year old girl with a talent for writing, who has
a very not normal
family secret. And when Lizzy’s father vanishes, that secret will change her
life in ways unimagined. (Spoiler
Alert! It turns out that Lizzy, or Elizabeth S. Speare, is the last living descendant of William
Shakespeare. Shhh! Don’t tell anybody!)
Then Lizzy and her best friend Sammy are kidnapped, awakening in
the faraway land
of Manhattan. Their host
is Jonathan Muse, whose job is to protect Lizzy from becoming the latest victim
in a family feud going back nearly five hundred years. Is that why the
mysterious, eye patch-wearing Dmitri Marlowe is after her? (Spoiler Alert 2—he’s the last living
descendant of Christopher Marlowe, a friend and rival of Shakespeare’s.
But keep it to yourself!) Is Marlowe after Lizzy’s family
fortune rumored to be kept in the tomb of that bald guy with the goatee? Does
he seek artistic immortality? Or Revenge (with a capital R) for a death long,
long ago? In a dangerous game of cat-and-mouse, Lizzy and Sammy are thrust into
the realm of the mythical and fantastic—from satyrs and Cyclopses to Middle Eastern cab
drivers and Brooklyn hipsters in what is truly
“an improbable fiction” as the Bard himself once wrote. Lizzy Speare and the Cursed Tomb is the first
book in a series that I’ve (sort of, mostly, kind of) plotted.
6. Any tips for new writers?
If
there is only one piece of advice I can give it is this: Read. Read. Read.
You’ll learn more about how to write by reading than you will anywhere else.
Beyond that - trust yourself. Even when you feel like you don’t know what you
are doing keep writing. You'll find your voice. And when you do it will be the
first step on an amazing journey. The second step on that journey is
discipline. Write every day. Write when you don't want to. Write when you're
tired or feel icky or have no good ideas. Just write. And keep everything you write
because you never know when that one little line you scribble on a piece of
paper, that scrap of dialogue, or that little character sketch, will turn into
your first novel.
7. Any tips for old writers?
See
above.
Plus,
remember when you were younger and you didn’t care what anyone thought or if
they called you crazy cause you had complete faith in your hair-brained scheme
and you knew it would work out? Remember that?
Be
that kid again.
Thanks for such a great interview, Ally! I can't wait to read about Lizzy's adventures. Visit Ally's blog to learn more: allymalinenko.com
Thanks for having me come by Jen! I really appreciate the chance to talk with you.
ReplyDeleteIt was my pleasure. Good luck with your big release!
DeleteAlly is one of my favorite writers - loved getting a glimpse behind the scenes of her creative process, thank you!
ReplyDeleteThanks for dropping by, Julie! :)
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